Tools.
Practice utilities, built right in — no extra apps to juggle. Set your tempo and create your own playground!
I built these so you can practice without leaving the page — pull up a metronome, loop a progression, study some scale or chord shapes..... get to work (and have fun).
More tools are in the pipeline but if there’s a utility you keep wishing for (or something isn't working as expected here now), tell me in the community.
Metronome.
A proper bench metronome — big tempo dial, tap tempo, beat indicator, subdivision mixer, and a Coach mode for tempo ramps and quiet-count practice.
• Set tempo by dragging the dial, scrolling over it, or clicking the number to type it in.
• The faders are a subdivision mixer — bring up the 8ths, 16ths, or triplet to build your own click feel.
• Tap the Tap button in time to find a tempo by ear.
• Switch meters up top — 3/4, 4/4, 5/4, 6/4 or 7/4.
• Click any beat to dial in it's accent (hard, medium, none) to help the meter feel the way you want it to.
• Click configure in the Coach for tempo-ramp and quiet-count drill options.
Chord Looper.
Build a progression or have one generated for you, set a tempo and loop it as long as you need. Use it for ear-training, walking lines, or just a compositional sketchpad.
• Click any chord name to change it — type things like Cmaj7, F♯m7♭5, or D♭7alt.
• Use the − / + steppers to change a chord's length, × to remove it, and + Add bar (full or half) to extend.
• Hit Generate or Re-roll for ideas in your key, or open the Suggestions panel for more pre-loaded progressions to choose from.
• Hit NEW to start from scratch and enter your own chord progressions.
• In the position bar, click a bar to jump there — or drag across bars to loop just that section; Loop all resets it.
Fretboard Visualizer.
Map any scale or chord onto the neck. Major scale modes, melodic and harmonic minor, octatonic, and some of the most common chord shapes I use.
• Toggle between Scale and Chord, then pick a scale family and mode (or a chord quality) and your key.
• Switch the view between One-octave and Full neck — a single compact shape or the whole fingerboard.
• Set the 4, 5 or 6 string option to match your bass.
Tuner.
A strobe-style chromatic tuner — the bronze rings drift sharp or flat and snap green when you're in tune. Any string, any tuning, with an adjustable A4 reference.
• Allow mic access when your browser asks — the tuner listens through your device's mic.
• Choose your sensitivity level if your tuner is having trouble 'hearing' you using the buttons right above the 'enable microphone' box.
• basses are finnicky and hard to 'hear' for many tuners. A general rule of thumb is that 12th fret harmonics are always better for tuners.
• Play a note: the rings spin sharp (clockwise) or flat (counter-clockwise), and lock in place (and turn green) when you're in tune.
• It auto-detects any pitch, so it works for any string and any tuning.
• Adjust the A4 reference (415–466 Hz) if you tune to a different standard.
• If you'de like some tuning tips, check out this video — Tuning Tips & Tricks
Ear Trainer.
Three drills for the kind of 'ears' you actually play with — interval recognition, chord quality, and modal color. Interval drills open with a quick cadence to set the key; the others get straight to the sound.
• Pick a mode — Intervals, Chord Quality, or Modal Color.
• Choose your root note and difficulty.
• Listen, then tap your answer once the audio finishes — use “Hear again” or “Slower” if you need another pass.
• Click 'Next' when you're ready for the next test.
• Change difficulty when you're feeling confident at the current level.
Progression Analysis.
Read a progression and name the harmony — or work it backward from the numerals. Short, focused changes that teach how chords function, every one playable so the symbol and the sound land together.
• Start with the guide sitting just above this tool — there’s genuinely useful information in there. Collapse it once you’ve read through, and pop it back open for reference anytime.
• Don’t rush to the advanced levels before the earlier ones feel solid — the difficulty picker is near the bottom of the tool, and jumping ahead tends to cause more confusion than progress.
• A tip from me: I’ll admit this kind of analysis was never my strong suit. What helped most was working in SPELL mode, or just hitting CHECK to see how the tool reads the changes — learning the functions that way first, before testing myself on the Identify side.
More tools, coming.
The same panel pattern, applied to whatever’s most useful next. Members get them as they ship.